Cinemasare set up for 1.85:1 projection, as is the workflow and the cameras designed for cinema productions. 16:9 can have slight pillars on either side if you're going through the full 2k DCP workflow,. If you don't want to shoot 1.85, no one is stopping you shooting 16:9, many low budget films are shot using that aspect ratio.
235:1. If you want to achieve a movie theatre experience in your home or business, a CinemaScope projector screen is the way to go. These 2.35:1 projector screens are designed for use when watching classic films. Explore our large selection of quality CinemaScope screens from top brands in this specific aspect ratio. Products 1-72 of 983.
Allanamorphic, Super 35 or digital scope movies made since 1970 have been composed for and projected at .40:1. And yet, many people in the industry continue to use the term “2.35:1 Thesimple answer is this. Most people are opting for a 16:9 screen since it is a good compromise that fits a lot of movie formats without too much letterboxing or pillar boxing, Needhelp, talk to us - your Dream Home Theater with Me – https://form.typeform.com/to/Ib2GQmTUSchedule a Telephonic 20 mins Cal
Insistingthat your 16:9 is filled? There are valid reasons for different aspect ratio. I still associate 2.35:1 with more "cinematic" and "epic" and 1.85:1 with more "personal" and "intimate" films. Often images look just more epic in the 2,35/2,40:1 ratio than in the 1,85/1,78:1 ratio. It depends on what the filmmakers intend to show to
Eventually theater aspect ratios settled between 2.35 and 1.85. Today’s standard 16:9 came about as a compromise between theater aspect ratios and t6tctr9.
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